Tanjore Gold Relief Paintings
Gold relief for spaces with presence
Every Tri-Lotus Chithiram Tanjore work is individually shaped and made to order for its setting. Raised relief is combined with genuine 22K or 24K gold, coloured glass, precious and semi-precious stones. The scale, palette, subject, and ornament are composed for the chosen direction.

The Gilded Chithiram Collection
Tanjore Gold Relief Paintings
Representative painting references
Every composition is developed anew around your chosen subject, scale, palette, and space.
Lotus Tree of Abundance
Black Panther
Swans beneath the Pavilion
The Peacock Before Rain
The Moonlit Courser
Materials in Detail
Relief, gold, colour, and ornament in close conversation
Each made-to-order painting brings its materials together around the subject, scale, atmosphere, and richness selected for the space.

Raised Relief
Measured layers give jewellery, garments, borders, foliage, and architecture their sculpted presence.
Genuine Gold
Genuine 22K or 24K gold gathers light across the relief and deepens the ornamental detail.
Stones, Crystals and Glass
Precious and semi-precious stones, crystals and coloured glass bring jewel-like points of colour.
Painted Colour and Framing
Hand-painted colour and the selected frame complete the work as one composed heirloom presence.
Light, Raised by Hand
The Thanjavur tradition emerged from South India’s temple culture, where devotional images were given distinctive radiance through raised work, gold, rich pigments, precious and semi-precious stones, and gem-like glass or ornament on prepared wooden panels. Its splendour comes from the discipline of many hand-worked layers.
Tri-Lotus chooses each composition for the clarity of its relief, balance, detail, and luminous presence. As light moves across the gold, the work gives a space a quiet sense of ceremony, creating a compelling focal point that carries the artistic language of Thanjavur into a contemporary interior.
Each painting begins with its setting, wall scale, viewing distance, subject, and desired rasa. The palette, relief, gold work, ornament, and frame are then shaped into a one-of-a-kind heirloom with a presence that belongs to that particular space.
Technical specifications
A planning reference
Technical specifications
Materials, scale, framing and care. Open the detail you need.
Composition & scaleOrientation, panel size and finished dimensions
- Composition and orientation
- Subject, visual focus, palette, relief density, ornament, and portrait or landscape orientation are composed around the intended wall and viewing distance.
- Artwork size
- Planning sizes include 8 × 10, 12 × 16, 18 × 24, 24 × 36, 36 × 48, and 48 × 60 inches. Larger sizes and formats are reviewed individually.
- Panel size and framed dimensions
- Panel sizes exclude the frame. Finished dimensions are worked out during the design discussion, once the frame, mount and glazing have been selected.
Construction & finishRelief, gold, precious and semi-precious stones, crystals and colour
- Prepared foundation
- Cloth and ground layers are selected to suit the panel size and technique, creating a stable foundation for relief, precious and semi-precious stones, crystals and colour.
- Raised relief
- Relief areas are built and dried in stages before gold and ornament are applied, giving borders, jewellery, garments, and architectural details their sculpted presence.
- Gold work
- Genuine 22K or 24K gold brings radiance and depth to the raised work, ornament, garments, jewellery, and architectural details.
- Colour and ornament
- Rich pigments, coloured glass, crystals, and precious and semi-precious stones are composed according to the chosen artistic concept.
Framing & displayGlazing, hanging and the intended setting
- Frame and glazing
- Frame wood is selected and checked for seasoning and pest condition. Glass or acrylic glazing and hanging hardware follow the painting size, finished weight, and destination.
- Display and hanging
- Final framed dimensions and weight guide wall anchors and hanging points. Display indoors, away from persistent damp, direct heat, and prolonged harsh sunlight.
Origin & careThe tradition and looking after the work
- Origin and art form
- A gold-relief panel painting tradition associated with Thanjavur, Tamil Nadu, shaped through layered preparation, raised work, colour, gold, precious and semi-precious stones, and gem-like ornament.
- Care
- Dust the frame and glazing gently with a clean, dry, soft cloth. Keep water, sprays, solvents, and abrasive cleaners away from the painted and gilded surface.
Painting publications
The collections, in detail.
Painting collection · PDFThe Gilded Chithiram CollectionView catalogue ↗ 23 pages · 11 MB
Painting collection · PDFThe Pavithra Vanya CollectionView catalogue ↗ 15 pages · 7 MB
Painting collection · PDFAn Atlas of Living LightView catalogue ↗ 49 pages · 95 MB
Painting collectionDuodecim I — Celestia
Painting collectionThe Botanical Jewels Collection
Painting collectionThe Opaline Reverie Collection